Official
Document
Title: Press Digest 2008
Type: Press briefing
Authorised: Chief of Propaganda, First
Committee, INS
Authorisation Code: AA191108
In 2008, INS public activities as well
as what have become known as the crypto-necronautical
activities of key INS personnel continued
to prompt reaction in print and online,
helping spread the N-word.
Following the INS
New York Declaration of
September 2007, the INS was able to
mobilise assets in North America. A report
by Peter Schwenger on
the Joint Statement on Inauthenticity
by INS General Secretary
Tom McCarthy and INS
Chief Philosopher
Simon Critchley appeared
in the inaugural issue of Triple
Canopy, an ambitious
web-journal out of Brooklyn. Canadian
Maritimes-based literary critic and historian
Schwenger alleges that the event, momentously,
did not happen, or could only have been
an re-enactment, citing the consistency
of audio
files then already circulating
on the internet and the ingenuity of
the INS Department of Propaganda in staging
the appearance, complete with convincing
look-alikes for McCarthy and Critchley.
The Declaration will be heard again and
an authorised transcript published by Tate
Britain early in 2009.
Triple Canopy moreover was
host to an INS Public Briefing on Aerial
Reconnaissance by
INS Chief of Propaganda Anthony
Auerbach,
held at Freddy’s Backroom in February
2008. Auerbach’s then current exhibit Empire
State Pavilion at
the Queens Museum of Art also earned
the INS a mention in the New York
papers.
Now firmly established as Professor
at New York’s New School for Social
Research, INS Chief Philosopher Simon
Critchley was allowed to publish
his
Book of Dead Philosophers ,
which has been widely reviewed is being
translated into six languages.
In June 2008, INS General Secretary
Tom McCarthy’s novel Remainder got the Believer Book
Award from the
editors and readers of the New York literary
magazine The Believer. As a result, an
interview dealing
mainly with necronautics, between McCarthy
and Associate Director of the Palais
de Tokyo in Paris, Mark
Alizart, was published in the magazine.
Around the same time, on the Eastern
side of the Atlantic, McCarthy installed
an INS Radio black
box transmitter in Stockholm’s
Moderna Museet as part
of the exhibition
Eclipse. The museum also published Calling
All Agents (INS General Secretary’s
Second Report) in Swedish translation
and a video of
McCarthy explaining the installation.
The INS contribution
to the show that was subtitled Art
in a Dark Age was singled
out as ‘brilliant’ in
a review of the exhibition in Art
Forum.
McCarthy's and Critchley's Joint
Statement
on Inauthenticity continued
to resonate prompting interventions from
writers bored or disappointed with contemporary
literature. For example, Lee
Rourke’s
blog-post at The
Guardian website, which
hailed the INS for its opposition to ‘the
stuffy, reductive thinking that has haunted
a British establishment that sides with
form [i.e. as opposed to matter] at all
costs,’ elicited
64 comments in the three days the message
board was open (13–16 October 2008).
November’s New
York Review of Books featured
an in-depth article by
Zadie Smith, entitled ‘Two
Paths for the Novel’ in which
the novelist reviews the future of
literature with an assessment of two
recent novels (Netherland by
Joseph O’Neill and McCarthy’s
Remainder).
However, about a third of the 9,000-word
article is devoted to the INS. Smith
welcomes, not without some anxiety, the
aim she attributes to Remainder of
wishing ‘to destroy
the myth of cultural authenticity,’ —
she, according her own understanding,
supposedly being the inheritor of the
literary authenticity whose burden she
claims has passed already from dead white
males ‘to
women, to those of color, to people of
different sexualities, to people from
far-off, war-torn places’ — the
authenticy whose vestige would
seem to account for the hollow sound
of the ‘lyrical
Realist’ novel. ‘In
Remainder,’ Smith alleges, ‘the
INS general secretary puts his theoretical
ideas to lively yet unobtrusive use,
for the Re-enactor himself [as Smith
calls McCarthy’s stand-in for a
protagonist] does not realize he is a
Necronaut.’
Although Smith appears troubled by a
ghost of the avant-garde — the
myth the INS both inhabits and
repudiates — which Smith invokes
repeatedly, her
article is without doubt and important
essay.
Further articles on the INS are
set to appear before the end of the year.
Issued by INS Department of Propaganda.
Official INS propaganda may be freely
distributed, distorted, appropriated
or adapted as the reader sees fit. |